Today we have a special delivery from Kate Hosford! Her new picture book, Mama’s Belly, illustrated by Abigail Halpin, is out now from Abrams!
Mama has a belly rising up like wave.
Inside is my sister, waiting to meet me.
As a curious little girl eagerly awaits the arrival of her sister, she has many questions about what her new sibling will be like. Will her sister have freckles? How will her family change? With lyrical language and unforgettable lush illustrations, Mama’s Belly is an honest and gentle exploration of the excitement and anticipation in welcoming a new family member, and assures young readers that Mama will always have enough love for everyone.
Welcome, Kate! So, tell us . . .
What was the spark that ignited this book?
In the winter of 2009, I did an amazing picture book semester with Uma Krishnaswami. I had found a picture of my son, Charlie, and myself when I was pregnant with his brother. I was looking down at Charlie with my hands on my belly. Charlie, who was two at the time, was facing me with his hands on his belly, and a look on his face that seemed to say, "I don’t know what we’ve gotten into here, but I may be in over my head." This gave me the idea to write a baby-on-the-way book from the point of view of a child who is focused on his mother’s pregnant belly.
However, when I started writing the story, I seemed to forget about that look on Charlie’s face, and instead wrote a story that was a relentlessly positive list of things that a boy would do with his new sibling. Uma suggested that perhaps the boy might be a little more conflicted about a sibling coming and about the ways in which pregnancy might change his mother. I then tried to remember what it had really been like to be pregnant and have a child waiting for a sibling. I revised the story so that the mom is sometimes tired and grumpy from backaches and her inability to see her own toes. I also had the protagonist express a variety of emotions about the impending birth. He might look forward to washing the baby’s belly, but also wonder if the baby would steal his blanket. At some point, I changed both the protagonist and the baby to females and the story became about a girl waiting for her sister to be born.
Tell us how you sold this book. What was it like to find out?
I sold this book to Tamar Brazis at Abrams. I had probably been submitting stories to Tamar for over ten years at that point, and although she hadn’t bought anything before Mama’s Belly, she had always been kind and encouraging. After graduating from VCFA in 2011, I continued working on the story. I knew there were already a lot of good baby-on-the-way books out there, but I hoped that I could make the voice of protagonist lyrical and unique.
I also wanted to give the story more of an emotional arc and come up with a really important question that the girl could ask her mother. I happened to run into a pregnant neighbor who had a five year-old daughter. When I asked her what her daughter wanted to know about the new baby, she said her daughter had asked, “Will there be enough love for both of us?” Once I heard that, I realized that this is the important question that every child needs answered when waiting for a sibling to be born. I tried to make this question, and the mother’s answer, the emotional climax of the book. When Tamar read the story, she liked the voice, and that emotional moment in particular.
I found out that Abrams was acquiring the story in 2015, on my birthday. I couldn’t have asked for a better present. The gestation period for this book was very long—nine years, from first draft to publication—but finding the right publisher, editor and illustrator was worth the wait.
What was it like watching the illustrations come together?
When Tamar told me that Abigail Halpin had agreed to illustrate the book, I was really excited. First of all, Abigail had done the covers for Uma’s two middle grade books, The Grand Plan To Fix Everything and the The Problem with Being Slightly Heroic, which was a lovely coincidence. She had also done a picture book called Finding Wild, which had a gorgeous palette and wonderful patterns and textures throughout the book.
Her sketches took my breath away. Abigail created a complete world with this lovely bohemian family living in a log cabin beside a lake. She interwove nature throughout the book, so that things are growing and blooming on every page, which seemed to be the perfect setting for a book about pregnancy. The palette is beautiful and she has used so many rich textures and patterns. It is a visual feast for the reader.
When the finished artwork came in, I cried from happiness. The world Abigial created reminded me of my upbringing in Vermont in the 1970s. I’m also really pleased with book trailer that video editor Nick Oleson created for me. I think the small touches of animation he added really make the trailer sing. It was also fun trying out different sound tracks and seeing how they change the mood of the book.
Watch the Mama’s Belly trailer here!
How did attending VCFA affect your writing life?
I’ve been out of school for seven years now, so at this point, I’m almost used to the fact that often when I read about news in the children’s lit world, I am reading about faculty members or fellow students from school. However, when I really stop and think about how VCFA has shaped the world of children’s literature, it is absolutely amazing.
The VCFA community is an essential part of my life. I turn to classmates for support, critiques and advice, but most of all for friendship. I also feel that VCFAers know that normal is overrated, so it’s liberating and interesting to be around people who are proud of the ways in which they are eccentric, and people who understand what it’s like to be in the wonderful, crazy, unpredictable world of writing for children.
What advice would you give a prospective VCFA student?
1) Use your time at school to experiment with different genres, both in your reading and your writing.
2) The more open you are to the influences around you at VCFA, the more interesting your journey there will become.
3) Remember that your classmates are probably going to be your support sustem, your critique partners and your friends after graduating. Spend time really getting to know them.
4) Also know that it’s fine to take some time for yourself at residencies. These days are wonderful, and you will remember them forever, but they are also exhausting.
5) VCFA is an incredibly supportive community. Bask in that support, and also provide it for others.
Great advice! Thanks so much for stopping by the Launchpad, Kate! Welcome to the world, Mama’s Belly!
Visit Kate Hosford online at khosford.com.