Hey . . . hey, wake up. I know you're all snuggly and comfy, but just wait until you hear about Eric Pinder's new picture book, The Perfect Pillow, illustrated by Chris Sheban and out now from Disney-Hyperion!
Brody is having trouble getting to sleep in his big new bed, so with his stuffed dragon, Horst, by his side, he sets off to find the perfect pillow. Would dry leaves or a cottony cloud make the right pillow? Would a nest to share or a gently rocking boat make a more comfortable bed? Brody and Horst search through the moonlit night to find the ideal spot for peaceful sleep, and together they find the best place of all.
Welcome back, Eric! So, we're wondering . . .
What unusual swag do you wish you could make for this book?
A stuffed dragon! Or maybe a friendly little Lego dragon. After writing so much about bears, it was fun to switch gears to dragons.
People do like stuffed animals. My two animal assistants for elementary school visits, an alligator and a penguin, occasionally show up for my undergraduate college classes as well, if I’m teaching Writing for Children. One student, glancing into the room before class, exclaimed, “You brought an alligator!? NOW I’m excited for class.” Minutes later, an elementary school librarian emailed to request an author visit, adding, “Please bring your green alligator!” Wait a minute… It’s a humbling career moment when you suddenly realize you’re actually the stuffed animal’s sidekick.
Eric's penguin assistant, Ice President Aaron Brrr, audits a class.
How does teaching affect your writing life?
A student once turned in a chapter that was completely different from the one I'd assigned, because her story had abruptly gone off in an unexpected direction. She seemed half-apologetic, half-excited by the creative breakthrough, and said, “The only way I can really explain this plot twist is that my characters have been talking behind my back, and only recently decided to tell me.”
Moments like that are why I love teaching.
More writing does get done during summer vacation than during the school year, because it takes a lot of mental energy to closely read and edit other people’s creative work. (I keep forgetting: every time I assign the class one paper, I’m really assigning myself a dozen papers.) But it’s a thrill to see students discover new authors or explore new interests, and to hear about their first publications. When you’re in an environment where everyone’s talking daily about books and ideas and creative projects, it’s impossible not to feel inspired. The best way to learn is to teach.
Tsar Wars, Episode IV: A New Syllabus. Sometimes this is what it's like preparing the syllabus for a college-level World Literature course. But as long as these books get used in class, this totally doesn't count as procrastination.
How do you approach picture books versus nonfiction essays? Is there anything about your approach to these two different kinds of projects that's the same?
With picture books, my first drafts tend to be handwritten on paper, with lots of cross-outs and scribbles and lines connecting this part to that part. Somehow it makes it easier to let the shape of the story fully take form. But essays and longer prose always start out being typed up on the computer.
The thing that’s the same is how long they take. I’m a painfully slow writer, whether writing picture books or nonfiction articles or shopping lists. What I like best about picture books, and poetry, is having fun with how words sound read aloud. It’s like using the language as a musical instrument.
I just wish I could do it faster. It shouldn’t be possible for a daily writing session to finish with a total new word count of one. Just one. But it’s happened. And at least my story-in-progress now contains the word “swoosh.”
I'd call that a success! What is your favorite VCFA memory?
Just being at the residency, surrounded by people who love to talk about books, always provides inspiration. Even little moments can spark new stories. I remember the night a bat invaded the Dewey dorms. I never even saw it, just heard the clamor and excitement afterward, and at some point jotted down this little rhyme in the margins of my lecture notes:
A bat! A bat! It flew inside.
Its teeth were sharp. Its wings were wide.
It swooped and soared above our heads.
We had to hide beneath our beds.
A bat! A bat! It stayed all night.
…at least it gave us things to write.
Who was it who said, “Bad experiences make good stories”? They were right. So I guess that’s not a favorite memory, exactly, but still an unexpectedly inspiring one.
Thanks so much for stopping by, and for the bonus bat poetry! Welcome to the world of dreams, The Perfect Pillow!
Eric Pinder still wants to be an astronaut when he grows up. In the meantime, you can often find him riding his bike or hanging out with bears in New Hampshire. Eric's books for children include If All the Animals Came Inside and How to Share with a Bear, and he has also written several books about mountains and weather for adults. He teaches creative writing at the New Hampshire Institute of Art.
Adi, Eric, and NHIA Administrative Director of Graduate Studies Beth Ann Miller excited about writing and learning during a classroom visit.